The Works of Horace

 Table of Contents

 Handy Literal Translations

 The First Book of the Odes of Horace.

 Ode i. To Maecenas.

 Ode ii. To Augustus Caesar

 Ode iii. To the Ship, in Which Virgil Was About to Sail to Athens.

 Ode iv. To Sextius.

 Ode v. To Pyrrha.

 Ode vi. To Agrippa.

 Ode vii. To Munatius Plancus.

 Ode viii. To Lydia.

 Ode ix. To Thaliarchus.

 Ode x. To Mercury.

 Ode xi. To Leuconoe.

 Ode xii. To Augustus.

 Ode xiii. To Lydia.

 Ode xiv. To the Roman State.

 Ode xv. To Paris.

 Ode xvi. To a Young Lady Horace Had Offended.

 Ode xvii. To Tyndaris.

 Ode xviii. To Varus.

 Ode xix. To Glycera.

 Ode xx. To Maecenas.

 Ode xxi. On Diana and Apollo.

 Ode xxii. To Aristius Fuscus.

 Ode xxiii. To Chloe.

 Ode xxiv. To Virgil.

 Ode xxv. To Lydia.

 Ode xxvi. To Aelius Lamia.

 Ode xxvii. To His Companions.

 Ode xxviii. Archytas.

 Ode xxix. To Iccius.

 Ode xxx. To Venus.

 Ode xxxi. To Apollo.

 Ode xxxii. To His Lyre.

 Ode xxxiii. To Albius Tibullus.

 Ode xxxiv. Against the Epicurians.

 Ode xxxv. To Fortune.

 Ode xxxvi.

 Ode xxxvii. To His Companions.

 Ode xxxviii. To His Servant.

 The Second Book of the Odes of Horace.

 Ode i. To Asinius Pollio.

 Ode ii. To Crispus Sallustius.

 Ode iii. To Quintus Dellius.

 Ode iv. To Xanthias Phoceus.

 Ode v.

 Ode vi. To Septimus.

 Ode vii. To Pompeius Varus.

 Ode viii. To Barine.

 Ode ix. To Titus Valgius.

 Ode x. To Licinius Murena.

 Ode xi. To Quintius Hirpinus.

 Ode xii. To Maecenas.

 Ode xiii. To a Tree.

 Ode xiv. To Postumus.

 Ode xv. Against the Luxury of the Romans.

 Ode xvi. To Grosphus.

 Ode xvii. To Maecenas.

 Ode xviii. Against Avarice and Luxury.

 Ode xix. On Bacchus.

 A Dithyrambic, or Drinking Song.

 Ode xx. To Maecenas.

 The Third Book of the Odes of Horace.

 Ode i. On Contentment.

 Ode ii. Against the Degeneracy of the Roman Youth.

 Ode iii. On Steadiness and Integrity.

 Ode iv. To Calliope.

 Ode v. On the Recovery of the Standards From Phraates.

 Ode vi. To the Romans.

 Ode vii. To Asterie.

 Ode viii. To Maecenas.

 Ode ix. To Lydia.

 Ode x. To Lyce.

 Ode xi. To Mercury.

 Ode xii. To Neobule.

 Ode xiii. To the Bandusian Fountain.

 Ode xiv. To the Romans.

 Ode xv. To Chloris.

 Ode xvi. To Maecenas.

 Ode xvii. To Aelius Lamia.

 Ode xviii. To Faunus.

 A Hymn.

 Ode xix. To Telephus.

 Ode xx. To Pyrrhus.

 Ode xxi. To His Jar.

 Ode xxii. To Diana.

 Ode xxiii. To Phidyle.

 Ode xxiv. To the Covetous.

 Ode xxv. To Bacchus.

 A Dithyrambic.

 Ode xxvi. To Venus.

 Ode xxvii. To Galatea, Upon Her Going to Sea.

 Ode xxviii. To Lyde.

 Ode xxix. To Maecenas.

 Ode xxx. On His Own Works.

 The Fourth Book of the Odes of Horace.

 Ode i. To Venus.

 Ode ii. To Antonius Iulus.

 Ode iii. To Melpomene.

 Ode iv The Praise of Drusus.

 Ode v. To Augustus.

 Ode vi. Hymn to Apollo.

 Ode vii. To Torquatus.

 Ode viii. To Marcius Censorinus.

 Ode ix. To Marcus Lollius.

 Ode x. To Ligurinus.

 Ode xi. To Phyllis.

 Ode xii. To Virgil.

 Ode xiii. To Lyce.

 Ode xiv. To Augustus.

 Ode xv. To Augustus, on the Restoration of Peace.

 The Book of the Epodes of Horace.

 Ode i. To Maecenas.

 Ode ii. The Praises of a Country Life.

 Ode iii. To Maecenas.

 Ode iv. To Menas.

 Ode v. The Witches Mangling a Boy.

 Ode vi. Against Cassius Severus.

 Ode vii. To the Roman People.

 Ode viii. Upon a Wanton Old Woman.

 Ode ix. To Maecenas.

 Ode x. Against Maevius.

 Ode xi. To Pectius.

 Ode xii. To a Woman Whose Charms Were Over.

 Ode xiii. To a Friend.

 Ode xiv. To Maecenas.

 Ode xv. To Neaera.

 Ode xvi. To the Roman People.

 Ode xvii.

 Dialogue Between Horace and Canidia.

 Canidia's Answer.

 The Secular Poem of Horace. To Apollo and Diana.

 The First Book of the Satires of Horace.

 Satire i. That all, but especially the covetous, think their own condition the hardest.

 Satire ii. Bad men, when they avoid certain vices, fall into their opposite extremes.

 Satire iii. We might to connive at the faults of our friends, and all offences are not to be ranked in the catalogue of crimes.

 Satire iv. He apologizes for the liberties taken by satiric poets in general, and particularly by himself.

 Satire v. He describes a certain journey of his from Rome to Brundusium with great pleasantry.

 Satire vi. Of true nobility.

 Satire vii. He humorously describes a squabble betwixt Rupilius and Persius.

 Satire viii. Priapus complains that the Esquilian mount is infested with the incantations of sorceresses.

 Satire ix. He describes his sufferings from the loquacity of an impertinent fellow.

 Satire x. He supports the judgment which he had before given of Lucilius, and intersperses some excellent precepts for the writing of Satire.

 The Second Book of the Satires of Horace.

 Satire i. He supposes himself to consult with Trebatius, whether he should desist from writing satires, or not.

 Satire ii. On Frugality.

 Satire iii. Damasippus, in a conversation with Horace, proves this paradox of the Stoic philosophy, that most men are actually mad.

 Satire iv. He ridicules the absurdity of one Catius, who placed the summit of human felicity in the culinary art.

 Satire v. In a humorous dialogue between Ulysses and Tiresias, he exposes those arts which the fortune hunters make use of, in order to be appointed t

 Satire vi. He sets the conveniences of a country retirement in opposition to the troubles of a life in town.

 Satire vii. One of Horace's slaves, making use of that freedom which was allowed them at the Saturnalia, rates his master in a droll and severe manner

 Satire viii. A smart description of a miser ridiculously acting the extravagant.

 The First Book of the Epistles of Horace.

 Epistle i. To Maecenas. The poet renounces all verses of a ludicrous turn, and resolves to apply himself wholly to the study of philosophy, which teac

 Epistle ii. To Lollius. He prefers Homer to all the philosophers, as a moral writer, and advises an early cultivation of virtue.

 Epistle iii. To Julius Florus. After inquiring about Claudius Tiberius Nero, and some of his friends, he exhorts Florus to the study of philosophy.

 Epistle iv. To Albius Tibullus. He declares his accomplishments and, after proposing the thought of death, converts it into an occasion of pleasantry

 Epistle v. To Torquatus. He invites him to a frugal entertainment, but a cleanly and cheerful one.

 Epistle vi. To Numicius. That a wise man is in love with nothing but virtue.

 Epistle vii. To Maecenas. He apologizes to Maecenas for his long absence from Rome and acknowledges his favors to him in such a manner as to declare

 Epistle viii. To Celsus Albinovanus. That he was neither well in body, nor in mind that Celtics should bear his prosperity with moderation.

 Epistle ix. To Claudius Tiberius Nero. He recommends Septimius to him.

 Epistle x. To Aristius Fuscus. He praises a country before a city life, as more agreeable to nature, and more friendly to liberty.

 Epistle xi. To Bullatius. Endeavoring to recall him back to Rome from Asia, whither he had retreated through his weariness of the civil wars, he advis

 Epistle xii. To Iccius. Leader the appearance of praising the man's parsimony, he archly ridicules it introduces Grosphus to him, and concludes with

 Epistle xiii. To Vinnius Asina. Horace cautions him to present his poems to Augustus at a proper opportunity, and with due decorum.

 Epistle xiv. To His Steward. He upbraids his levity for contemning a country life, which had been his choice, and being eager to return to Rome.

 Epistle xv. To C. Neumonius Vala. Preparing to go to the baths either at Velia or Salernum, he inquires after the healthfulness and agreeableness of t

 Epistle xvi. To Quinctius. He describes to Quinctius the form, situation, and advantages of his country house: then declares that probity consists in

 Epistle xvii. To Scaeva. That a life of business is preferable to a private and inactive one the friendship of great men is a laudable acquisition, y

 Epistle xviii. To Lollius. He treats at large upon the cultivation of the favor of great men and concludes with a few words concerning the acquiremen

 Epistle xix. To Maecenas. He shows the folly of some persons who would imitate and the envy of others who would censure him.

 Epistle xx. To His Book. In vain he endeavors to retain his book, desirous of getting abroad tells it what trouble it is to undergo, and imparts some

 The Second Book of the Epistles of Horace.

 Epistle i. To Augustus. He honors him with the highest compliments then treats copiously of poetry, its origin, character, and excellence.

 Epistle ii. To Julius Florus. In apologizing for not having written to him, he shows that the well-ordering of life is of more importance than the com

 Horace's Book Upon the Art of Poetry. To the Pisos.

Satire x.

He supports the judgment which he had before given of Lucilius, and intersperses some excellent precepts for the writing of Satire.

To be sure I did say, that the verses of Lucilius did not run smoothly. Who is so foolish an admirer of Lucilius, that he would not own this? But the same writer is applauded in the same Satire, on account of his having lashed the town with great humor. Nevertheless granting him this, I will not therefore give up the other [considerations]; for at that rate I might even admire the farces of Laberius, as fine poems. Hence it is by no means sufficient to make an auditor grim with laughter: and yet there is some degree of merit even in this. There is need of conciseness that the sentence may run, and not embarrass itself with verbiage, that overloads the sated ear; and sometimes a grave, frequently jocose style is necessary, supporting the character one while of the orator and [at another] of the poet, now and then that of a graceful rallier that curbs the force of his pleasantry and weakens it on purpose. For ridicule often decides matters of importance more effectually and in a better manner, than severity. Those poets by whom the ancient comedy was written, stood upon this [foundation], and in this are they worthy of imitation: whom neither the smooth-faced Hermogenes ever read, nor that baboon who is skilled in nothing but singing [the wanton compositions of] Calvus and Catullus.

But [Lucilius, say they,] did a great thing, when he intermixed Greek words with Latin. O late-learned dunces! What! do you think that arduous and admirable, which was done by Pitholeo the Rhodian? But [still they cry] the style elegantly composed of both tongues is the more pleasant, as if Falernian wine is mixed with Chian. When you make verses, I ask you this question; were you to undertake the difficult cause of the accused Petillius, would you (for instance), forgetful of your country and your father, while Pedius, Poplicola, and Corvinus sweat through their causes in Latin, choose to intermix words borrowed from abroad, like the double-tongued Canusinian. And as for myself, who was born on this side the water, when I was about making Greek verses; Romulus appearing to me after midnight, when dreams are true, forbade me in words to this effect; "You could not be guilty of more madness by carrying timber into a wood, than by desiring to throng in among the great crowds of Grecian writers."

While bombastical Alpinus murders Memnon, and while he deforms the muddy source of the Rhine, I amuse myself with these satires; which can neither be recited in the temple [of Apollo], as contesting for the prize when Tarpa presides as judge, nor can have a run over and over again represented in the theatres. You, O Fundanius, of all men breathing are the most capable of prattling tales in a comic vein, how an artful courtesan and a Davus impose upon an old Chremes. Pollio sings the actions of kings in iambic measure; the sublime Varias composes the manly epic, in a manner that no one can equal: to Virgil the Muses, delighting in rural scenes, have granted the delicate and the elegant. It was this kind [of satiric writing], the Aticinian Varro and some others having attempted it without success, in which I may have some slight merit, inferior to the inventor: nor would I presume to pull off the [laurel] crown placed upon his brow with great applause.

But I said that he flowed muddily, frequently indeed bearing along more things which ought to be taken away than left. Be it so; do you, who are a scholar, find no fault with any thing in mighty Homer, I pray? Does the facetious Lucilius make no alterations in the tragedies of Accius? Does not he ridicule many of Ennius' verses, which are too light for the gravity [of the subject]? When he speaks of himself by no means as superior to what he blames. What should hinder me likewise, when I am reading the works of Lucilius, from inquiring whether it be his [genius], or the difficult nature of his subject, that will not suffer his verses to be more finished, and to run more smoothly than if some one, thinking it sufficient to conclude a something of six feet, be fond of writing two hundred verses before he eats, and as many after supper? Such was the genius of the Tuscan Cassius, more impetuous than a rapid river; who, as it is reported, was burned [at the funeral pile] with his own books and papers. Let it be allowed, I say, that Lucilius was a humorous and polite writer; that he was also more correct than [Ennius], the author of a kind of poetry [not yet] well cultivated, nor attempted by the Greeks, and [more correct likewise] than the tribe of our old poets: but yet he, if he had been brought down by the Fates to this age of ours, would have retrenched a great deal from his writings: he would have pruned off every thing that transgressed the limits of perfection; and, in the composition of verses, would often have scratched his head, and bit his nails to the quick.

You that intend to write what is worthy to be read more than once, blot frequently: and take no-pains to make the multitude admire you, content with a few [judicious] readers. What, would you be such a fool as to be ambitious that your verses should be taught in petty schools? That is not my case. It is enough for me, that the knight [Maecenas] applauds: as the courageous actress, Arbuscula, expressed herself, in contempt of the rest of the audience, when she was hissed [by the populace]. What, shall that grubworm Pantilius have any effect upon me? Or can it vex me, that Demetrius carps at me behind my back? or because the trifler Fannius, that hanger-on to Hermogenes Tigellius, attempts to hurt me? May Plotius and Varius, Maecenas and Virgil, Valgius and Octavius approve these Satires, and the excellent Fuscus likewise; and I could wish that both the Visci would join in their commendations: ambition apart, I may mention you, O Pollio: you also, Messala, together with your brother; and at the same time, you, Bibulus and Servius; and along with these you, candid Furnius; many others whom, though men of learning and my friends, I purposely omit - to whom I would wish these Satires, such as they are, may give satisfaction; and I should be chagrined, if they pleased in a degree below my expectation. You, Demetrius, and you, Tigellius, I bid lament among the forms of your female pupils.

Go, boy, and instantly annex this Satire to the end of my book.