The Works of Horace

 Table of Contents

 Handy Literal Translations

 The First Book of the Odes of Horace.

 Ode i. To Maecenas.

 Ode ii. To Augustus Caesar

 Ode iii. To the Ship, in Which Virgil Was About to Sail to Athens.

 Ode iv. To Sextius.

 Ode v. To Pyrrha.

 Ode vi. To Agrippa.

 Ode vii. To Munatius Plancus.

 Ode viii. To Lydia.

 Ode ix. To Thaliarchus.

 Ode x. To Mercury.

 Ode xi. To Leuconoe.

 Ode xii. To Augustus.

 Ode xiii. To Lydia.

 Ode xiv. To the Roman State.

 Ode xv. To Paris.

 Ode xvi. To a Young Lady Horace Had Offended.

 Ode xvii. To Tyndaris.

 Ode xviii. To Varus.

 Ode xix. To Glycera.

 Ode xx. To Maecenas.

 Ode xxi. On Diana and Apollo.

 Ode xxii. To Aristius Fuscus.

 Ode xxiii. To Chloe.

 Ode xxiv. To Virgil.

 Ode xxv. To Lydia.

 Ode xxvi. To Aelius Lamia.

 Ode xxvii. To His Companions.

 Ode xxviii. Archytas.

 Ode xxix. To Iccius.

 Ode xxx. To Venus.

 Ode xxxi. To Apollo.

 Ode xxxii. To His Lyre.

 Ode xxxiii. To Albius Tibullus.

 Ode xxxiv. Against the Epicurians.

 Ode xxxv. To Fortune.

 Ode xxxvi.

 Ode xxxvii. To His Companions.

 Ode xxxviii. To His Servant.

 The Second Book of the Odes of Horace.

 Ode i. To Asinius Pollio.

 Ode ii. To Crispus Sallustius.

 Ode iii. To Quintus Dellius.

 Ode iv. To Xanthias Phoceus.

 Ode v.

 Ode vi. To Septimus.

 Ode vii. To Pompeius Varus.

 Ode viii. To Barine.

 Ode ix. To Titus Valgius.

 Ode x. To Licinius Murena.

 Ode xi. To Quintius Hirpinus.

 Ode xii. To Maecenas.

 Ode xiii. To a Tree.

 Ode xiv. To Postumus.

 Ode xv. Against the Luxury of the Romans.

 Ode xvi. To Grosphus.

 Ode xvii. To Maecenas.

 Ode xviii. Against Avarice and Luxury.

 Ode xix. On Bacchus.

 A Dithyrambic, or Drinking Song.

 Ode xx. To Maecenas.

 The Third Book of the Odes of Horace.

 Ode i. On Contentment.

 Ode ii. Against the Degeneracy of the Roman Youth.

 Ode iii. On Steadiness and Integrity.

 Ode iv. To Calliope.

 Ode v. On the Recovery of the Standards From Phraates.

 Ode vi. To the Romans.

 Ode vii. To Asterie.

 Ode viii. To Maecenas.

 Ode ix. To Lydia.

 Ode x. To Lyce.

 Ode xi. To Mercury.

 Ode xii. To Neobule.

 Ode xiii. To the Bandusian Fountain.

 Ode xiv. To the Romans.

 Ode xv. To Chloris.

 Ode xvi. To Maecenas.

 Ode xvii. To Aelius Lamia.

 Ode xviii. To Faunus.

 A Hymn.

 Ode xix. To Telephus.

 Ode xx. To Pyrrhus.

 Ode xxi. To His Jar.

 Ode xxii. To Diana.

 Ode xxiii. To Phidyle.

 Ode xxiv. To the Covetous.

 Ode xxv. To Bacchus.

 A Dithyrambic.

 Ode xxvi. To Venus.

 Ode xxvii. To Galatea, Upon Her Going to Sea.

 Ode xxviii. To Lyde.

 Ode xxix. To Maecenas.

 Ode xxx. On His Own Works.

 The Fourth Book of the Odes of Horace.

 Ode i. To Venus.

 Ode ii. To Antonius Iulus.

 Ode iii. To Melpomene.

 Ode iv The Praise of Drusus.

 Ode v. To Augustus.

 Ode vi. Hymn to Apollo.

 Ode vii. To Torquatus.

 Ode viii. To Marcius Censorinus.

 Ode ix. To Marcus Lollius.

 Ode x. To Ligurinus.

 Ode xi. To Phyllis.

 Ode xii. To Virgil.

 Ode xiii. To Lyce.

 Ode xiv. To Augustus.

 Ode xv. To Augustus, on the Restoration of Peace.

 The Book of the Epodes of Horace.

 Ode i. To Maecenas.

 Ode ii. The Praises of a Country Life.

 Ode iii. To Maecenas.

 Ode iv. To Menas.

 Ode v. The Witches Mangling a Boy.

 Ode vi. Against Cassius Severus.

 Ode vii. To the Roman People.

 Ode viii. Upon a Wanton Old Woman.

 Ode ix. To Maecenas.

 Ode x. Against Maevius.

 Ode xi. To Pectius.

 Ode xii. To a Woman Whose Charms Were Over.

 Ode xiii. To a Friend.

 Ode xiv. To Maecenas.

 Ode xv. To Neaera.

 Ode xvi. To the Roman People.

 Ode xvii.

 Dialogue Between Horace and Canidia.

 Canidia's Answer.

 The Secular Poem of Horace. To Apollo and Diana.

 The First Book of the Satires of Horace.

 Satire i. That all, but especially the covetous, think their own condition the hardest.

 Satire ii. Bad men, when they avoid certain vices, fall into their opposite extremes.

 Satire iii. We might to connive at the faults of our friends, and all offences are not to be ranked in the catalogue of crimes.

 Satire iv. He apologizes for the liberties taken by satiric poets in general, and particularly by himself.

 Satire v. He describes a certain journey of his from Rome to Brundusium with great pleasantry.

 Satire vi. Of true nobility.

 Satire vii. He humorously describes a squabble betwixt Rupilius and Persius.

 Satire viii. Priapus complains that the Esquilian mount is infested with the incantations of sorceresses.

 Satire ix. He describes his sufferings from the loquacity of an impertinent fellow.

 Satire x. He supports the judgment which he had before given of Lucilius, and intersperses some excellent precepts for the writing of Satire.

 The Second Book of the Satires of Horace.

 Satire i. He supposes himself to consult with Trebatius, whether he should desist from writing satires, or not.

 Satire ii. On Frugality.

 Satire iii. Damasippus, in a conversation with Horace, proves this paradox of the Stoic philosophy, that most men are actually mad.

 Satire iv. He ridicules the absurdity of one Catius, who placed the summit of human felicity in the culinary art.

 Satire v. In a humorous dialogue between Ulysses and Tiresias, he exposes those arts which the fortune hunters make use of, in order to be appointed t

 Satire vi. He sets the conveniences of a country retirement in opposition to the troubles of a life in town.

 Satire vii. One of Horace's slaves, making use of that freedom which was allowed them at the Saturnalia, rates his master in a droll and severe manner

 Satire viii. A smart description of a miser ridiculously acting the extravagant.

 The First Book of the Epistles of Horace.

 Epistle i. To Maecenas. The poet renounces all verses of a ludicrous turn, and resolves to apply himself wholly to the study of philosophy, which teac

 Epistle ii. To Lollius. He prefers Homer to all the philosophers, as a moral writer, and advises an early cultivation of virtue.

 Epistle iii. To Julius Florus. After inquiring about Claudius Tiberius Nero, and some of his friends, he exhorts Florus to the study of philosophy.

 Epistle iv. To Albius Tibullus. He declares his accomplishments and, after proposing the thought of death, converts it into an occasion of pleasantry

 Epistle v. To Torquatus. He invites him to a frugal entertainment, but a cleanly and cheerful one.

 Epistle vi. To Numicius. That a wise man is in love with nothing but virtue.

 Epistle vii. To Maecenas. He apologizes to Maecenas for his long absence from Rome and acknowledges his favors to him in such a manner as to declare

 Epistle viii. To Celsus Albinovanus. That he was neither well in body, nor in mind that Celtics should bear his prosperity with moderation.

 Epistle ix. To Claudius Tiberius Nero. He recommends Septimius to him.

 Epistle x. To Aristius Fuscus. He praises a country before a city life, as more agreeable to nature, and more friendly to liberty.

 Epistle xi. To Bullatius. Endeavoring to recall him back to Rome from Asia, whither he had retreated through his weariness of the civil wars, he advis

 Epistle xii. To Iccius. Leader the appearance of praising the man's parsimony, he archly ridicules it introduces Grosphus to him, and concludes with

 Epistle xiii. To Vinnius Asina. Horace cautions him to present his poems to Augustus at a proper opportunity, and with due decorum.

 Epistle xiv. To His Steward. He upbraids his levity for contemning a country life, which had been his choice, and being eager to return to Rome.

 Epistle xv. To C. Neumonius Vala. Preparing to go to the baths either at Velia or Salernum, he inquires after the healthfulness and agreeableness of t

 Epistle xvi. To Quinctius. He describes to Quinctius the form, situation, and advantages of his country house: then declares that probity consists in

 Epistle xvii. To Scaeva. That a life of business is preferable to a private and inactive one the friendship of great men is a laudable acquisition, y

 Epistle xviii. To Lollius. He treats at large upon the cultivation of the favor of great men and concludes with a few words concerning the acquiremen

 Epistle xix. To Maecenas. He shows the folly of some persons who would imitate and the envy of others who would censure him.

 Epistle xx. To His Book. In vain he endeavors to retain his book, desirous of getting abroad tells it what trouble it is to undergo, and imparts some

 The Second Book of the Epistles of Horace.

 Epistle i. To Augustus. He honors him with the highest compliments then treats copiously of poetry, its origin, character, and excellence.

 Epistle ii. To Julius Florus. In apologizing for not having written to him, he shows that the well-ordering of life is of more importance than the com

 Horace's Book Upon the Art of Poetry. To the Pisos.

Satire viii.

Priapus complains that the Esquilian mount is infested with the incantations of sorceresses.

Formerly I was the trunk of a wild fig-tree, an useless log: when the artificer, in doubt whether he should make a stool or a Priapus of me, determined that I should be a god. Henceforward I became a god, the greatest terror of thieves and birds: for my right hand restrains thieves, and a bloody-looking pole stretched out from my frightful middle: but a reed fixed upon the crown of my head terrifies the mischievous birds, and hinders them from settling in these new gardens. Before this the fellow-slave bore dead corpses thrown out of their narrow cells to this place, in order to be deposited in paltry coffins. This place stood a common sepulcher for the miserable mob, for the buffoon Pantelabus, and Nomentanus the rake. Here a column assigned a thousand feet [of ground] in front, and three hundred toward the fields: that the burial-place should not descend to the heirs of the estate. Now one may live in the Esquiliae, [since it is made] a healthy place; and walk upon an open terrace, where lately the melancholy passengers beheld the ground frightful with white bones; though both the thieves and wild beasts accustomed to infest this place, do not occasion me so much care and trouble, as do [these hags], that turn people's minds by their incantations and drugs. These I can not by any means destroy nor hinder, but that they will gather bones and noxious herbs, as soon as the fleeting moon has shown her beauteous face.

I myself saw Canidia, with her sable garment tucked up, walk with bare feet and disheveled hair, yelling together with the elder Sagana. Paleness had rendered both of them horrible to behold. They began to claw up the earth with their nails, and to tear a black ewe-lamb to pieces with their teeth. The blood was poured into a ditch, that thence they might charm out the shades of the dead, ghosts that were to give them answers. There was a woolen effigy too, another of wax: the woolen one larger, which was to inflict punishment on the little one. The waxen stood in a suppliant posture, as ready to perish in a servile manner. One of the hags invokes Hecate, and the other fell Tisiphone. Then might you see serpents and infernal bitches wander about, and the moon with blushes hiding behind the lofty monuments, that she might not be a witness to these doings. But if I lie, even a tittle, may my head be contaminated with the white filth of ravens; and may Julius, and the effeminate Miss Pediatous, and the knave Voranus, come to water upon me, and befoul me. Why should I mention every particular? viz. in what manner, speaking alternately with Sagana, the ghosts uttered dismal and piercing shrieks; and how by stealth they laid in the earth a wolf's beard, with the teeth of a spotted snake; and how a great blaze flamed forth from the waxen image? And how I was shocked at the voices and actions of these two furies, a spectator however by no means incapable of revenge? For from my cleft body of fig-tree wood I uttered a loud noise with as great an explosion as a burst bladder. But they ran into the city: and with exceeding laughter and diversion might you have seen Canidia's artificial teeth, and Sagana's towering tete of false hair falling off, and the herbs, and the enchanted bracelets from her arm.