The Defense

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 as Catullus says, after the filthy fashion in vogue among the Iberians.

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 What is there so lascivious in all my verses compared with that one line? I will say nothing of the writings of Diogenes the Cynic, of Zeno the founde

 Now let me read you the others also which they read last as being the most intemperate in expression.

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 There is another poem by Plato dealing conjointly with the boys Alexis and Phaedrus:

 Without citing any further examples I will conclude by quoting a line addressed by Plato to Dion of Syracuse:

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 The divine Hadrian, when he honoured the tomb of his friend the poet Voconius with an inscription in verse from his own pen, wrote thus:

 words which he would never have written had he regarded verse of somewhat too lively a wit as proving their author to be a man of immoral life. I reme

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 The lines which follow are so wonderful, that had you read them you would envy me my wallet even more than you envy me my marriage with Pudentilla.

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 But you who take such exception to fish attribute far different instruments to magicians, charms not to be torn from new-born foreheads, but to be cut

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 Similarly in another passage he says:

 But never in the works of Homer did Proteus anoint his face nor Ulysses his magic trench, nor Aeolus his windbags, nor Helen her mixing bowl, nor Circ

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 He glorified many fish in other verses, stating where each was to be found and whether they were best fried or stewed, and yet he is not blamed for it

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 These words, which I have quoted in Greek, have been selected by Rufinus and separated from their context. He has taken them round as a confession on

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59

And why did you read out this evidence from a written deposition? Where in the world is Crassus? Has he returned to Alexandria out of disgust at the state of his house? Is he washing his walls? Or, as is more likely, is the glutton feeling ill after his debauch? I myself saw him yesterday here at Sabrata belching in your face, Aemilianus, in the most conspicuous manner in the middle of the market-place. Pray, Maximus, ask your slaves whose duty it is to keep you informed of people's names - although, I admit, Crassus is better known to the keepers of taverns - yet ask them, I say, whether they have ever seen Junius Crassus, a citizen of Oea, in this place. They will answer 'yes'. Let Aemilianus then produce this most admirable young man on whose testimony he relies.

You notice the time of day. I tell you that Crassus has long since been snoring in a drunken slumber or has taken a second bathe and is now evaporating the sweat of intoxication at the bath that he may be equal to a fresh drinking bout after supper. He presents himself in writing only. That is the way he speaks to you, Maximus. Even he is not so dead to sense of shame as to be able to lie to your face without a blush. But there is perhaps another reason for his absence. He may have been unable to abstain from drunkenness sufficiently long to keep sober against this moment.

Or it may be that Aemilianus took good care not to subject him to your severe and searching gaze, lest you should damn the brute with his close-shaven cheeks and his disgusting appearance by a mere glance at his face, when you saw a young man with his features stripped of the beard and hair that should adorn them, his eyes heavy with wine, his lids swollen, his < . . . > grin, his slobbering lips, his harsh voice, his trembling hands, his breath reeking of the cook-shop. He has long since devoured his fortune; nothing is left him of his patrimony save a house that serves him for the sale of his false witness, and never did he make a more remunerative contract than he has done with regard to this evidence he offers today. For he sold Aemilianus his drunken fictions for 3,000 sesterces, as every one at Oea is aware.