Appreciations and Criticisms of the Works of Charles Dickens

 PART ONE

 CHAPTER I

 INTRODUCTION

 LITTLE DORRIT

 REPRINTED PIECES

 OUR MUTUAL FRIEND

 DAVID COPPERFIELD

 CHRISTMAS BOOKS

 TALE OF TWO CITIES

 BARNABY RUDGE

 THE UNCOMMERCIAL TRAVELLER

 CHAPTER II

 SKETCHES BY BOZ

 CHAPTER III

 PICKWICK PAPERS

 CHAPTER IV

 NICHOLAS NICKLEBY

 CHAPTER V

 OLIVER TWIST

 CHAPTER VI

 OLD CURIOSITY SHOP

 CHAPTER VII

 BARNABY RUDGE

 CHAPTER VIII

 AMERICAN NOTES

 CHAPTER IX

 PICTURES FROM ITALY

 CHAPTER X

 MARTIN CHUZZLEWIT

 CHAPTER XI

 CHRISTMAS BOOKS

 CHAPTER XII

 DOMBEY AND SON

 PART TWO

 CHAPTER XIII

 DAVID COPPERFIELD

 CHAPTER XIV

 CHRISTMAS STORIES

 CHAPTER XV

 BLEAK HOUSE

 CHAPTER XVI

 CHAPTER XVII

 HARD TIMES

 CHAPTER XVIII

 LITTLE DORRIT

 CHAPTER XIX

 A TALE OF TWO CITIES

 CHAPTER XX

 GREAT EXPECTATIONS

 CHAPTER XXI

 OUR MUTUAL FRIEND

 CHAPTER XXII

 EDWIN DROOD

 CHAPTER XXIII

 CHAPTER XXIV

 REPRINTED PIECES

TALE OF TWO CITIES

It was well for him, at any rate, that the people rose in France. It was well for him, at any rate, that the guillotine was set up in the Place de la Concorde. Unconsciously, but not accidentally, Dickens was here working out the whole true comparison between swift revolutionism in Paris and slow evolutionism in London. Sidney Carton is one of those sublime ascetics whose head offends them, and who cut it off. For him at least it was better that the blood should flow in Paris than that the wine should flow any longer in London. And if I say that even now the guillotine might be the best cure for many a London lawyer, I ask you to believe that I am not merely flippant. But you will not believe it.