Appreciations and Criticisms of the Works of Charles Dickens

 PART ONE

 CHAPTER I

 INTRODUCTION

 LITTLE DORRIT

 REPRINTED PIECES

 OUR MUTUAL FRIEND

 DAVID COPPERFIELD

 CHRISTMAS BOOKS

 TALE OF TWO CITIES

 BARNABY RUDGE

 THE UNCOMMERCIAL TRAVELLER

 CHAPTER II

 SKETCHES BY BOZ

 CHAPTER III

 PICKWICK PAPERS

 CHAPTER IV

 NICHOLAS NICKLEBY

 CHAPTER V

 OLIVER TWIST

 CHAPTER VI

 OLD CURIOSITY SHOP

 CHAPTER VII

 BARNABY RUDGE

 CHAPTER VIII

 AMERICAN NOTES

 CHAPTER IX

 PICTURES FROM ITALY

 CHAPTER X

 MARTIN CHUZZLEWIT

 CHAPTER XI

 CHRISTMAS BOOKS

 CHAPTER XII

 DOMBEY AND SON

 PART TWO

 CHAPTER XIII

 DAVID COPPERFIELD

 CHAPTER XIV

 CHRISTMAS STORIES

 CHAPTER XV

 BLEAK HOUSE

 CHAPTER XVI

 CHAPTER XVII

 HARD TIMES

 CHAPTER XVIII

 LITTLE DORRIT

 CHAPTER XIX

 A TALE OF TWO CITIES

 CHAPTER XX

 GREAT EXPECTATIONS

 CHAPTER XXI

 OUR MUTUAL FRIEND

 CHAPTER XXII

 EDWIN DROOD

 CHAPTER XXIII

 CHAPTER XXIV

 REPRINTED PIECES

CHRISTMAS BOOKS

And there is doubtless a certain poetic unity and irony in gathering together three or four of the crudest and most cocksure of the modern theorists, with their shrill voices and metallic virtues, under the fulness and the sonorous sanity of Christian bells. But the figures satirised in The Chimes cross each other's path and spoil each other in some degree. The main purpose of the book was a protest against that impudent and hardhearted utilitarianism which arranges the people only in rows of men or even in rows of figures. It is a flaming denunciation of that strange mathematical morality which was twisted often unfairly out of Bentham and Mill: a morality by which each citizen must regard himself as a fraction, and a very vulgar fraction. Though the particular form of this insolent patronage has changed, this revolt and rebuke is still of value, and may be wholesome for those who are teaching the poor to be provident. Doubtless it is a good idea to be provident, in the sense that Providence is provident, but that should mean being kind, and certainly not merely being cold.

The Cricket on the Hearth, though popular, I think, with many sections of the great army of Dickensians, cannot be spoken of in any such abstract or serious terms. It is a brief domestic glimpse; it is an interior. It must be remembered that Dickens was fond of interiors as such; he was like a romantic tramp who should go from window to window looking in at the parlours. He had that solid, indescribable delight in the mere solidity and neatness of funny little humanity in its funny little houses, like doll's houses. To him every house was a box, a Christmas box, in which a dancing human doll was tied up in bricks and slates instead of string and brown paper. He went from one gleaming window to another, looking in at the lamp-lit parlours. Thus he stood for a little while looking in at this cosy if commonplace interior of the carrier and his wife; but he did not stand there very long. He was on his way to quainter towns and villages. Already the plants were sprouting upon the balcony of Miss Tox; and the great wind was rising that flung Mr. Pecksniff against his own front door.