THE SPICE OF LIFE AND OTHER ESSAYS

 PART ONE: LITERATURE IN GENERAL

 SENTIMENTAL LITERATURE

 HUMOUR

 FICTION AS FOOD

 THE SOUL IN EVERY LEGEND

 PART TWO: PARTICULAR BOOKS AND WRITERS

 THE MACBETHS

 THE TRAGEDY OF KING LEAR

 THE EVERLASTING NIGHTS

 AND SO TO BED

 AS LARGE AS LIFE IN DICKENS

 DISPUTES ON DICKENS

 CHARLOTTE BRONTE AS A ROMANTIC

 PART THREE: THOUGHT AND BELIEF

 THE CAMP AND THE CATHEDRAL

 THE RELIGIOUS ASPECT OF WESTMINSTER ABBEY

 PART FOUR: AT HOME AND ABROAD

 ON HOLIDAYS

 THE PEASANT

 THE LOST RAILWAY STATION

 BETHLEHEM AND THE GREAT CITIES

 THE SACREDNESS OF SITES

 SCIPIO AND THE CHILDREN

 THE REAL ISSUE

 PART FIVE: THE SPICE OF LIFE

 THE COMIC CONSTABLE

 ON FRAGMENTS

 THE SPICE OF LIFE

 ESSAYS ON LITERATURE IN GENERAL

 ON PARTICULAR BOOKS AND WRITERS

 THOUGHT AND BELIEF

 AT HOME AND ABROAD

 THE SPICE OF LIFE

 THE SPICE OF LIFE.

AND SO TO BED

I WILL not say that the Englishman is the most subtle of all the beasts of the field; for he is obviously not a beast, still less a snake, and least of all a devil. But it is true that he is in many ways the most complex type in Christendom. He is never so complex as when he is not entirely conscious; and especially when the last twist of his labyrinthine complexity takes the form of claiming to be simple; to be rough and tough and bluff like Major Bagstock. And one of the weirdest things about him is the subconscious or semi-conscious art and skill, with which he arranges history and human facts so as to soothe and satisfy himself, without quite clearly realising what he is doing or why he is doing it. In truth, the Englishman is the one man really made for psycho-analysis. He really does instinctively erect screens and scenery, half symbolic and half secretive, to protect a hidden thought. All these things filtered through my mind in reading Mr. Arthur Bryant's excellent last volume on Pepys "Samuel Pepys: The Years of Peril".

Nine men out of ten in this country, above the most unlettered class, could tell you with some confidence who Pepys was. He was a funny fellow who kept a Diary. He was a roguish fellow, and the fun of his Diary consists chiefly in his confessions of infidelity to a wife, or flirtations with a chambermaid. He wrote in quaint short sentences, often parodied in the newspapers; and he ended as many entries as possible with the phrase, "and so to bed". Now it is a very queer thing that this should be so universally known, and that nothing else about the same man should be known at all. For this mildly scandalous journal was only kept for a short time, comparatively early in his life; and even so the proportion of scandal is exaggerated. There were not many men in England then, or possibly now, whose sincere confessions in youth would be very different. Meanwhile, the rest of his life was a public life of practical usefulness and profound importance. He, with about one other man, made modern England a great naval power. The reply, it will be generally supposed, is that the public heard of the Diary first, long ago, while curious scholars have lately dug up the details about the permanent official. But in mere common sense, the case is exactly the other way. The Diary was kept in a close cipher, apparently impenetrable and long unpenetrated. But the political life of Pepys had been no more private than the public life of Cromwell or Cardinal Wolsey. Political foes tried to impeach him as openly as Warren Hastings in Westminster Hall; that he might be executed as openly as Charles I at Whitehall. In the famous phrase of the Regicide, this thing was not done in a corner. His foes were the first men of the age, like Shaftesbury and Halifax; and they filled the streets with mobs of the Brisk Boys with the Green Ribbons, roaring for the blood of such servants of the Crown. And the roguish little fellow of the Diary stood up under that storm and steered like a ship the policy that has launched the ships of England. He fought for a fighting fleet, more or less of the modern model, exactly as Cobden fought for Free Trade or Gladstone for Home Rule. And he did not write anything corresponding to "and so to bed" till he had seen those ships make their harbour. Now why is that most exciting passage in patriotic history practically left out of our rather too patriotic histories? Why is the hero of it known only as a buffoon winking at a maidservant? There is no reason that can be called simple, in the sense of superficial. Pepys was a very normal national man; Protestant like any other and as insular as most. Englishmen, especially English historians, are excessively devoted to what is national and very particularly to what is novel. And it is hardly exaggerative to say he could have written "Samuel Pepys", like the signature of a craftsman or architect, under the word Victory where it shone upon the ship of Nelson.

There is only one explanation. There can be no other; and it is simply this. You cannot praise the patriotism of Pepys without also praising the patriotism of James II, then James, Duke of York. You cannot tell the story at all, without letting it stand out with startling clearness that Samuel Pepys the Protestant might never have started work, and would cer tainly never have done the work, without the devoted practical support, and even prompting, of James Stuart the Papist. And his story had to be told so as to enforce only one moral; that Papistry was the enemy of Patriotism. In plain words, you have to admit that the prince, who did more than any other to enable Britannia to rule the waves, was the same Prince who was driven across the same waves into exile, simply and solely because he was a Roman Catholic. And that was more than the English historians dared to admit; merely to do justice to the patriotism of a poor little Government official. That single catastrophe, in the way of letting the Catholic cat out of the Protestant bag, would have turned upside-down the whole orthodox official academic History of England.

But the point is, as I have said, that the thing is almost unthinkably subtle, often semi-conscious; and at once collective and secretive. It is a sort of vague but repeated gesture (like that of somebody stroking the cat) which has gradually put all this lively part of history to sleep; and moulded the story so as to soothe the successful side. There is no veto on studying the period; no overt official command to take a certain line; there was simply an instinct to take the line of least resistance. The main facts of the time were seldom even contradicted; they were only neglected. And I can irnagine with what a stare of simple wonder I should be regarded, by the man in the street, who is quite willing to talk to me about Pepys, if I said there was a sort of conspiracy to connect Pepys only with his Diary. Is not the Diary a very amusing book? Yes. Was not Pepys a Protestant? Yes. Do we not generally praise patriots, especially Protestant patriots? Yes. But if Pitt or Palmerston or Disraeli had written a very amusing Diary, people would discuss each statesman with reference to his statesmanship; and then say, "I always think he is most delightful in his Diary. Have you read his Diary?"

By this vast vague corporate craft or silent strategy, there has been built up in this country a quite abnormal condition of mental and moral Comfort. And we know, because Mr. Winston Churchill tells us in the Strand Magazine, that we have a noble Parliament and more freedom than any foreigners; and a poor man has as much chance as a rich man in our courts of law. And so to bed.