THE COMMON MAN

 THE COMMON MAN

 ON READING

 MONSTERS AND THE MIDDLE AGES

 WHAT NOVELISTS ARE FOR

 THE SONG OF ROLAND

 THE SUPERSTITION OF SCHOOL

 THE ROMANCE OF A RASCAL

 PAYING FOR PATRIOTISM

 THE PANTOMIME

 READING THE RIDDLE

 A TALE OF TWO CITIES

 GOD AND GOODS

 FROM MEREDITH TO RUPERT BROOKE

 THE DANGERS OF NECROMANCY

 THE NEW GROOVE

 RABELAISIAN REGRETS

 THE HOUND OF HEAVEN

 THE FRIVOLOUS MAN

 TWO STUBBORN PIECES OF IRON

 HENRY JAMES

 THE STRANGE TALK OF TWO VICTORIANS

 LAUGHTER

 TALES FROM TOLSTOI

 THE NEW CASE FOR CATHOLIC SCHOOLS

 VULGARITY

 VANDALISM

 ELIZABETH BARRETT BROWNING

 THE ERASTIAN ON THE ESTABLISHMENT

 THE END OF THE MODERNS

 THE MEANING OF METRE

 CONCERNING A STRANGE CITY

 THE EPITAPH OF PIERPONT MORGAN

 THE NEW BIGOTRY

 BOOKS FOR BOYS

 THE OUTLINE OF LIBERTY

 A NOTE ON NUDISM

 CONSULTING THE ENCYCLOPAEDIA

THE FRIVOLOUS MAN

By one of those queer associations that nobody can ever understand, a large number of people have come to think that frivolity has some kind of connection with enjoyment. As a matter of fact, nobody can really enjoy himself unless he is serious. Even those whom we commonly regard as belonging to the butterfly classes of society really enjoy themselves most at the crises of their lives which are potentially tragic. Men can only enjoy fundamental things. In order to enjoy the lightest and most flying joke a man must be rooted in some basic sense of the good of things; and the good of things means, of course, the seriousness of things. In order to enjoy even a pas de quatre at a subscription dance a man must feel for the moment that the stars are dancing to the same tune. In the old religions of the world, indeed, people did think that the stars were dancing to the tunes of their temples; and they danced as no man has danced since. But thorough enjoyment, enjoyment that has no hesitation, no incidental blight, no arrière pensée, is only possible to the serious man. Wine, says the Scripture, maketh glad the heart of man, but only of the man who has a heart. And so also the thing called good spirits is possible only to the spiritual.

The really frivolous man, the frivolous man of society, we all know, and any of us who know him truthfully know that if he has one characteristic more salient than another it is that be is a pessimist. The idea of the gay and thoughtless man of fashion, intoxicated with pagan delights, is a figment invented entirely by religious people who never met any such man in their lives. The man of pleasure is one of the fables of the pious. Puritans have given a great deal too much credit to the power which the world has to satisfy the soul; in admitting that the sinner is gay and careless they have given away the strongest part of their case. As a matter of fact, Puritanism commonly falls into the error of accusing the frivolous man of all the wrong vices. For instance, it says (and it is a favourite phrase) that the frivolous man is "careless". In truth the frivolous man is very careful. Not only does he spend hours over dressing and similar technical matters, but a great part of his life is passed in criticising and discussing similar technical matters. At any odd hour of the day we may find him talking about whether one man has the right kind of coat or another man the wrong kind of dinner-service; and about these matters he is far more solemn than a Pope or a General Council. His general air about them might be described as rather sad than serious, as rather hopeless than severe. Religion might approximately be defined as the power which makes us joyful about the things that matter. Fashionable frivolity might, with a parallel propriety, be defined as the power which makes us sad about the things that do not matter.

Frivolity has nothing to do with happiness. It plays upon the surface of things, and the surface is almost always rough and uneven. The frivolous person is the person who cannot fully appreciate the weight and value of anything. In practice he does not appreciate even the weight and value of the things commonly counted frivolous. He does not enjoy his cigars as the gutter boy enjoys his cigarette; he does not enjoy his ballet as the child enjoys "Punch and Judy". But, in fairness to him, it must be admitted that he is not alone in being frivolous: other classes of men share the reproach. Thus, for instance, bishops are generally frivolous, moral teachers are generally frivolous, statesmen are generally frivolous, conscientious objectors are generally frivolous. Philosophers and poets are often frivolous; politicians are always frivolous. For if frivolity signifies this lack of grasp of the fullness and the value of things, it must have a great many forms besides that of mere levity and pleasure-seeking. A great many people have a fixed idea that irreverence, for instance, consists chiefly in making jokes. But it is quite possible to be irreverent with a diction devoid of the slightest touch of indecorum, and with a soul unpolluted by a tinge of humour. The splendid and everlasting definition of real irreverence is to be found in that misunderstood and neglected commandment which declares that the Lord will not hold him guiltless that taketh His name in vain. This again is supposed vaguely to have some connection with buffoonery and jocularity and play upon words. But surely that is not the plain meaning of the phrase. To say a thing with a touch of humour is not to say it in vain. To say a thing with a touch of satire or individual criticism is not to say it in vain. To say a thing even fantastically, like some fragment from the scriptures of Elfland, is not to say it in vain. But to say a thing with a pompous and unmeaning gravity; to say a thing so that it shall be at once bigoted and vague; to say a thing so that it shall be indistinct at the same moment that it is literal; to say a thing so that the most decorous listener shall not at the end of it really know why in the name of all things you should have said it or he should have listened to it this is veritably and in the weighty sense of those ancient Mosaic words to take that thing in vain. The Name is taken in vain many times more often by preachers than it is by secularists. The blasphemer is, indeed, fundamentally natural and prosaic, for he speaks in a commonplace manner about that which he believes to be commonplace. But the ordinary preacher and religious orator speaks in a commonplace manner about that which he believes to be divine.

This is the breach of one of the Commandments; it is the sin against the name. Take, if you will, the name wildly, take it jestingly, take it brutally and angrily, take it childishly, take it wrongly; but do not take it in vain. Use a sanctity for some strange or new purpose and justify that use; use a sanctity for some doubtful and experimental purpose and stake your act on your success; use a sanctity for some base and hateful purpose and abide the end. But do not use a sanctity for no purpose at all; do not talk about Christ when you might as well talk about Mr. Perks; do not use patriotism and honour and the Communion of Saints as stopgaps in a halting speech. This is the sin of frivolity, and it is the chief characteristic of the great majority of the conventionally religious class.

Thus we come back to the conclusion that real seriousness is at a discount alike among the irreligious and the religious, alike in the worldly and in the unworldly world.