THE SPICE OF LIFE AND OTHER ESSAYS

 PART ONE: LITERATURE IN GENERAL

 SENTIMENTAL LITERATURE

 HUMOUR

 FICTION AS FOOD

 THE SOUL IN EVERY LEGEND

 PART TWO: PARTICULAR BOOKS AND WRITERS

 THE MACBETHS

 THE TRAGEDY OF KING LEAR

 THE EVERLASTING NIGHTS

 AND SO TO BED

 AS LARGE AS LIFE IN DICKENS

 DISPUTES ON DICKENS

 CHARLOTTE BRONTE AS A ROMANTIC

 PART THREE: THOUGHT AND BELIEF

 THE CAMP AND THE CATHEDRAL

 THE RELIGIOUS ASPECT OF WESTMINSTER ABBEY

 PART FOUR: AT HOME AND ABROAD

 ON HOLIDAYS

 THE PEASANT

 THE LOST RAILWAY STATION

 BETHLEHEM AND THE GREAT CITIES

 THE SACREDNESS OF SITES

 SCIPIO AND THE CHILDREN

 THE REAL ISSUE

 PART FIVE: THE SPICE OF LIFE

 THE COMIC CONSTABLE

 ON FRAGMENTS

 THE SPICE OF LIFE

 ESSAYS ON LITERATURE IN GENERAL

 ON PARTICULAR BOOKS AND WRITERS

 THOUGHT AND BELIEF

 AT HOME AND ABROAD

 THE SPICE OF LIFE

 THE SPICE OF LIFE.

THE SPICE OF LIFE AND OTHER ESSAYS

by

G. K. CHESTERTON

Edited by

DOROTHY COLLINS

These essays cover a wide range of time and source. The Spice of Life was written only three months before K.G. Chesterton died. None of them has appeared in a collection before.

D.E.C.

CONTENTS

Part One: Essays on Literature in General

Sentimental Literature

How to Write a Detective Story

Humour

Fiction as Food

The Soul in Every Legend

Part Two: On Particular Books and Writers

The Macbeths

The Tragedy of King Lear

The Everlasting Nights

Aesop's Fables

Both Sides of the Looking-Glass

And So To Bed

As Large as Life in Dickens

Disputes on Dickens

Charlotte Bronte as a Romantic

Part Three: Thought and Belief

Anti-Religious Thought in the Eighteenth Century

The Camp and the Cathedral

The Religious Aspect of Westminster Abbey

The Religious Aim of Education

The Philosophy of Islands

Part Four: At Home and Abroad

On Holidays

The Peasant

The Lost Railway Station

Bethlehem and the Great Cities

The Sacredness of Sites

Scipio and the Children

The Real Issue

Part Five: The Spice of Life

The Comic Constable

Capone's Pal

One Losing One's Head

The Spice of Life

On Fragments

Sources

THE ESSAY by G. K. Chesterton.

THE ESSAY is the only literary form which confesses, in its very name, that the rash act known as writing is really a leap in the dark. When men try to write a tragedy, they do not call the tragedy a try-on. Those who have toiled through the twelve books of an epic, writing it with their own hands, have seldom pretended that they have merely tossed off an epic as an experiment. But an essay, by its very name as well as its very nature, really is a try-on and really is an experiment. A man does not really write an essay. He does really essay to write an essay. One result is that, while there are many famous essays, there is fortunately no model essay. The perfect essay has never been written, for the simple reason that the essay has never really been written. Men have tried to write something, to find out what it was supposed to be. In this respect the essay is a typically modern product and is full of the future and the praise of experiment and adventure. In itself it remains somewhat elusive, and I will own that I am haunted with a faint suspicion that the essay will probably become rather more cogent and dogmatic, merely because of the deep and deadly divisions which ethical and economic problems may force upon us. But let us hope there will always be a place for the essay that is really an essay. St. Thomas Aquinas, with his usual common sense, said that neither the active nor the contemplative life could be lived without relaxation, in the form of jokes and games. The drama or the epic might be called the active life of literature; the sonnet or the ode the contemplative life. The essay is the joke.

Extract from introductory essay by G. K. Chesterton to Essays of the Year. See pp. 173-5 for all sources.